The exhibition was essentially an investigation into the presence & role of grids in Indian culture, with a focus on Jain scriptures. The aim of the exhibition was to underline a strong link between Graphic Design and Indian Design definition and to highlight the possibility of evolving a strong, indigenous graphic language that could speak eloquently its own vocabulary while adhering to the predominantly western principles that form the current bulwark of modern design education, principles that tend to ignore the indigenous aspects so evident in indigenous grid structures. The Indian cultural heritage and its various manuscripts are good examples of the existence of an alternative that could lend variety and perspective to current curricula. Archiving, digitization, and publicity for these alternatives to the global trends would probably help propagate the design sensibilities that could eventually grow into our own design language which was the core idea behind the exhibition.